The soundscape is changing day to day. There is a dynamic
relationship between the men and the
environment. Noise pollution is stemmed from careless. Because people do
not listen carefully and they learn noise-sound should be ignored. It is deeply
negative approach and it should be damaged. For this reason, boring and
destructive music should be eliminate for ear cleaning and an acustic design
should develop and the point is that people should be encourage.
Firstly, the definition of music has radical change in
recent years. Because, technology is quickly developing and the world is
actually changing. Therefore, the perception of people is changing and
relatedly the perception of music changing. In recent years, the definition
of music is that it is a sound and the
sounds mean what we hear around us. In the West, the ear has given way to the
eye as the most important gatherer of environmental information. Namely, we
have come to imagine God. Previously, the God is not portraiture and it is
perceived as a vibration or sound.
Secondly, human’s ear is an alert and a hi-fi system is a
process to noise ratio. In the hi-fi soundscape, the sounds can be heard
clearly because of low ambient noise level. The country is more hi-fi than the
city in general. Also, the night is more hi-fi than day. Ancient times is more
hi-fi than modern times. In a lo-fi soundscape, individual acustic signals are
obscured in an overdense population of sounds such as a footstep in the snow,
the train whistle in the distance, a church bell across the valley. It is
masked by broad-band noise and the perspective is lost. Because, everything is
close-miked and there is no distance.
In addition, the industrial revolution began to produce
the lo-fi soundscape. When industry firstly intruded into town life, it was
immediately conspicuous by the aberration of its novel noises.
Schizophonia refers to the split between an original
sound and its electroacustical transmission or reproduction in the early 20th
century. People have to split the sound from he maker of the sound. Every
sound is unique. In this century, people have the ability to dislocate sounds
in time as well as in space.
Eventually, the desire to dislocate sounds in time and
space has been evident for some time in the history of Western music, so that
the recent technological developments are merely he consequences of aspirations
that have been building for some centuries. When we notice that the noise is in
the mind, we begin to change everything around us.
Edgar Varése
"The First Attempt at Electronic Music" (1958)







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